Crisp portrait of the life and social environment of a principled, self-destructive, singular cultural figure.
Concise biography of Dashiell Hammett (1894–1961), literary pioneer and luckless radical.
Royal Society of Arts fellow Cline (Zelda Fitzgerald, 2012, etc.) argues that despite his limited output, Hammett “transformed and subverted the detective novel form by his moral vision, propelling the mystery genre into literature.” Certainly, Hammett’s raucous life—bridging the hardscrabble, proletarian 19th century and the slick, unforgiving postwar era—taught him hard moral lessons that informed his fiction. His story is well-known, although Cline provides new insights via her interviews with Hammett’s daughter Jo. Following an apathetic youth, Hammett was thrust into manhood by service in World War I and early employment with the Pinkerton Detective Agency. These transformative experiences gave Hammett discipline and a fondness for masculine environments while sparking his complex relationship with money and the working class. Once he began placing stories in magazines like Black Mask, he became prolific, producing his five novels in a six-year period. Lean, intense books like The Maltese Falcon (1930) proved popular enough to fundamentally alter the American pop-culture vocabulary, just before the Depression. Hammett then veered away from his literary ambitions: He drank excessively for the next two decades, harming his already fragile health, tried his fortunes in Hollywood with diminishing returns and famously embarked upon a contentious yet mutually nurturing relationship with Lillian Hellman. Hammett volunteered for service in World War II yet was pursued by the FBI during the Red Scare of the 1950s, serving time in federal prison rather than testifying about his leftist connections. Although Cline discusses the plots and literary qualities of Hammett’s novels, she generally connects such elements back to the author’s increasingly complicated personal life and the tenor of his times, an approach which makes this brief biography seem efficiently rendered.
Crisp portrait of the life and social environment of a principled, self-destructive, singular cultural figure.Pub Date: Feb. 4, 2014
ISBN: 978-1-61145-784-1
Page Count: 220
Publisher: Arcade
Review Posted Online: Jan. 4, 2014
Kirkus Reviews Issue: Jan. 15, 2014
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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