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IN PIECES

Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how...

A beloved actor attempts to assemble her fragmented past.

In her debut memoir, Field (b. 1946) takes to the page to explore her early life and storied acting career; she also pens an extended love letter to her mother, who died in 2011, on the author’s 65th birthday. Described by the author as “drop-your-jaw beautiful,” Margaret Morlan was discovered by a Paramount talent scout while sitting in a Pasadena Playhouse audience and instantly got a career at age 23. Affectionately called “Baa” by Field, Morlan never achieved anywhere near her eldest daughter’s screen credits, but she played a central role throughout Field’s life as both a peerless champion of and “backup generator” to her daughter’s burgeoning talents. Baa was also a complicated source of great psychological trauma, as she failed to protect her daughter from the sexual advances of her stepfather, stuntman Jock Mahoney. While the memoir details the rapid progression of Field’s childhood interest in acting to on-screen success in TV (from Gidget and The Flying Nun to winning the Emmy for Sybil in 1977) and film (for Norma Rae, she won “every award for best actress that existed in the United States”), Field’s narrative of her professional and personal achievements may be best viewed through the lens of her fraught relationship with Baa. “My cherished mother had known…something,” she writes. “What exactly that was, I didn’t want to hear, because even at that time, when I was middle-aged, I couldn’t bear the idea that she hadn’t run to my side….I had accepted the idea that I was broken in an effort to keep my mother whole.” Through acting, Field found a way to constitute herself: “By standing in Norma’s shoes, I felt my own feet. If I could play her, I could be me.”

Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how playing larger-than-life figures has enabled her to keep her feet on the ground.

Pub Date: Sept. 18, 2018

ISBN: 978-1-5387-6302-5

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Oct. 11, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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