Should please Anglophiles fond of cozy, English cultural references and nonstop whimsy.
A fantasy series opener from the author of Carnegie Medal winner Maggot Moon (2013).
Betsy K. Glory lives on a small island with her ice-cream–making dad, who owns a cafe; her ocean-dwelling mermaid mum pays them weekly visits. When Betsy and Mr. Glory deliver his latest concoction to an ice-cream–fancying toad, the amphibian reveals that she is Princess Albee, self-exiled from her home on Gongalong Island after her giantess half sister, Princess Olaf, made a wish that turned her into a toad, a wish Albee is unable to overturn. While confirming Mum’s assertion that Gongalong Island’s berries, when made into ice cream, grant wishes, Albee says they must be picked during a blue moon. Sadly, no one knows how to turn the moon blue. Worse, Princess Olaf has fenced off most of their island for her own use, making it nearly impossible for the remaining resident Gongalongs (tiny humanoids) to escape. When Mr. Tiger and his oceangoing circus, which features Gongalong acrobats, arrive on Betsy’s island, he hatches a plan to free the Gongalongs and Princess Albee. With an elaborately silly plot and flimsy characterization, the story feels rudderless; it lacks thematic heft. A few moments sparkle, though, and the abundant, imaginative illustrations (executed in blue, to match the blue type) provide continuity and quirky charm. Human and human(oid) characters default to white.
Should please Anglophiles fond of cozy, English cultural references and nonstop whimsy. (Fantasy. 6-9)Pub Date: April 7, 2020
ISBN: 978-0-593-09516-4
Page Count: 192
Publisher: Penguin Workshop
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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