by Sally Hayden ‧ RELEASE DATE: March 22, 2022
An important contribution to the literature of forced immigration and humanitarian crisis.
A powerful, horrific account of the rigors that African immigrants face in fleeing their homelands for sanctuary in Europe.
“You become cargo, a piece of meat, a being that loses humanity when you can no longer recognize the humanity of others around you.” So writes Hayden, the Africa correspondent for the Irish Times, regarding the global refugee crisis. The European Union has seemed of two minds about illegal immigration into its domain: Leaders lament the human rights implications the refugees underscore even as they put more effort into blocking the flow. “In 2018,” writes the author, “a study found that almost 1,000 kilometers of border walls had been erected by EU member states and states in the European Schengen travel area since the fall of the Berlin Wall nineteen years before.” Moreover, the EU has contracted with the Libyan government—such as it is in a time of civil war—to intercept refugees crossing the middle Mediterranean and house them in settlements that resemble concentration camps, one even bearing the nickname “Guantánamo.” In some cases, refugees are used as human shields, meant to deter attacks by rival warlords, often to no avail. Worse, many are forced into slavery, either in Libya or delivered into the hands of the Mafia in southern Italy and put to work on farms there. Hayden tells her story through deep exploration of legal papers, archives, and government data. Even more affective are her personal encounters and interviews with refugees themselves, whose situations, if anything, seem to be worsening. “Between 2014 and 2020,” she writes, “more than twenty thousand men, women, and children would die on the Mediterranean Sea,” while Europeans who try to assist them often became targets of legal prosecution. The narrative is consistently harrowing, revealing the complexities within a global crisis that lacks an easy solution, especially as the numbers of refugees mount.
An important contribution to the literature of forced immigration and humanitarian crisis.Pub Date: March 22, 2022
ISBN: 978-1-61219-945-0
Page Count: 400
Publisher: Melville House
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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