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TOPPLING

Engaging and poignant.

An Australian boy obsessed with “toppling” dominoes finds his world wobbling when his best friend develops cancer.

John collects domino tiles, which he arranges in long, complex patterns that he then knocks over. He’d like nothing better than “to play dominoes / all day, every day,” causing his sister Tess to call him “nerd boy.” John’s best friend, Dominic, is “fun / and funny / and honest / and pretty cool.” Other pals include smart Joseph, jokester Christian and Tran from Vietnam. John admits he’s “not smart / or funny / or from far away. / I’m just me.” When their fifth-grade teacher assigns individual research projects, John naturally picks dominoes as his topic, but he’s soon distracted and worried when he learns Dominic has a tumor on his kidney requiring surgery and chemotherapy. Afraid his best friend may die and unsure of how to act, John tries to think of what he can do to help. In the end, he and his pals find the perfect way to give Dominic the support he needs. John gives his story immediacy and authenticity by speaking in colloquial first-person, present-tense free verse. Black-and-white illustrations capture the ups and downs of friends trying to keep their buddy from toppling.

Engaging and poignant. (Verse novel. 8-12)

Pub Date: Aug. 14, 2012

ISBN: 978-0-7636-5921-9

Page Count: 128

Publisher: Candlewick

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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