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THE COMPANY

Spencer nicely balances family drama with old-fashioned detection.

A publisher battles to overcome a cascading barrage of losses.

When Rob Conroy’s grandfather Charlie started his furniture company after the war, he remembered one thing from his military service: Always establish a clear chain of command. As Conroy Enterprises grew and diversified, he parceled out the day-to-day management of various divisions to whomever he thought would run them best while keeping control of the corporation tightly in his own hands. He gave Rob’s brother, John, Mid-Cheshire Mechanical, a maintenance company that provides enough salary and prestige to suit John’s ambitious wife, Lydia. And he saved Cormorant Publishing, a small independent press, for Rob, an Oxford graduate. With the help of a blockbuster first novel from the unknown Andy McBride, Cormorant enjoys modest success. But after Rob’s brother, father, and uncle are all killed in a car crash on their way to an acquisition meeting with Western Haulage, Rob has to fight his cousin to maintain control of his press because the line of succession in his grandfather’s will leaves control of the family empire to his Uncle Tony, and on Tony’s death, to his son, Philip. Losing most of his family is just the latest blow for Rob, whose college girlfriend, Jill, was killed during their first summer together. As he heals from the car crash, he’s preparing for another loss: Marie O’Hara, the first woman he’s been attracted to since Jill, has dropped out of sight. But Chief Inspector Owen Flint has more bad news for his old friend Rob: The crash was no accident, and there’s every reason to believe that whoever cut the brake lines on the car will come back for the survivors.

Spencer nicely balances family drama with old-fashioned detection.  

Pub Date: May 4, 2021

ISBN: 978-0-7278-9094-8

Page Count: 272

Publisher: Severn House

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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  • New York Times Bestseller


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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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