THE COMPANY

A publisher battles to overcome a cascading barrage of losses.

When Rob Conroy’s grandfather Charlie started his furniture company after the war, he remembered one thing from his military service: Always establish a clear chain of command. As Conroy Enterprises grew and diversified, he parceled out the day-to-day management of various divisions to whomever he thought would run them best while keeping control of the corporation tightly in his own hands. He gave Rob’s brother, John, Mid-Cheshire Mechanical, a maintenance company that provides enough salary and prestige to suit John’s ambitious wife, Lydia. And he saved Cormorant Publishing, a small independent press, for Rob, an Oxford graduate. With the help of a blockbuster first novel from the unknown Andy McBride, Cormorant enjoys modest success. But after Rob’s brother, father, and uncle are all killed in a car crash on their way to an acquisition meeting with Western Haulage, Rob has to fight his cousin to maintain control of his press because the line of succession in his grandfather’s will leaves control of the family empire to his Uncle Tony, and on Tony’s death, to his son, Philip. Losing most of his family is just the latest blow for Rob, whose college girlfriend, Jill, was killed during their first summer together. As he heals from the car crash, he’s preparing for another loss: Marie O’Hara, the first woman he’s been attracted to since Jill, has dropped out of sight. But Chief Inspector Owen Flint has more bad news for his old friend Rob: The crash was no accident, and there’s every reason to believe that whoever cut the brake lines on the car will come back for the survivors.

Spencer nicely balances family drama with old-fashioned detection.