Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.
Readers who succumb to the spell of Rushdie’s convoluted, cross-continental fable may find it enchanting; those with less patience could consider it interminable.
This is a very different sort of novel for Rushdie (Shalimar the Clown, 2005, etc.), partly based in Renaissance Italy and intensely researched (there are pages of entries listed in its bibliography), though themes of East and West, love and betrayal, religion and unbelief, sex and sex, are familiar from previous work. It’s plain that the author worked hard on this deliriously ambitious book, and so must the reader. Despite the title, there is more than one enchantress of Florence, and other key characters have multiple names and perhaps identities as well. Some characters might even be imaginary. The plot commences with the arrival of a blonde-haired vagabond who has traveled from his native Florence to deliver a message from the Queen of England to “the emperor Abdul-Fath Jalaluddin Muhammad…known since his childhood as Akbar, meaning ‘the great,’ and latterly, in spite of the tautology of it, as Akbar the Great, the great great one, great in his greatness, doubly great, so great that the repetition in his title was not only appropriate but necessary in order to express the gloriousness of his glory.” And so on. The man from the Christian West and the emperor of the Muslim East develop a strong bond, mainly through the stories spun by the former (in which he assumes multiple names and identities) to the latter. Yet at one point, even Akbar issues “[a] curse on all storytellers,” telling his visitor “You’re taking too long. . .You can’t draw this out forever...” Machiavelli and Medicis make their appearances, as the plot shifts to the impossibly beautiful seductress of the title, who also finds her way from Italy to the emperor, and who ultimately gives clues to her identity by explaining, “The Mirror’s daughter was the mirror of her mother and of the woman whose mirror the Mirror had been.”
Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.Pub Date: June 10, 2008
ISBN: 978-0-375-50433-4
Page Count: 358
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2008
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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