A tightly plotted tale with characters that could energize a planned series.
In Boush’s debut thriller, a North Korean cyberattack cripples America’s infrastructure, sparking chaos and leaving the country vulnerable to a military invasion.
Brendan Chogan first senses trouble afoot during his job interview for a security-guard position at a Portland, Oregon, robotics company. A computer virus is apparently affecting the building, which then loses internet access. A report comes in by phone that the internet is down across the country. It’s merely the beginning of a North Korean strike against U.S. systems, and soon citizens nationwide lose their cellular service and electricity. Panic ensues, and Brendan realizes that he, his wife, Vailea, and their 8-year-old twin daughters may not be safe. Meanwhile, hacker Xandra Strandlien’s boss at U.S. Cyber Command sends her to Oregon. Intelligence on Chinese-Russian joint military exercises has led to a fear of a post-cyberattack armed invasion, and the Oregon area, which has no military bases nearby, is a potential target. As Brendan and Vailea struggle to secure their home and stockpile food and water, they encounter allies, including Xandra and a couple of U.S. Navy fighter pilots who lost contact with their supercarrier. When an invasion indeed materializes, this small group works together on a mission to upload malware to the enemies’ servers. Despite the fact that the attack is nationwide, Boush concentrates on the characters in Oregon, who later include vacationing campers from Los Angeles. It’s a wise choice, as the story mixes smaller battles (such as characters fending off would-be intruders at the Chogan house) with large-scale ones; Xandra’s plan, for example, entails jumping from a low-flying plane into a river. The author also richly details the cyberattack’s chaotic aftermath; for instance, Vailea gets a workout in a grocery store that’s besieged by a horde of frenzied shoppers: “She gasped for breath, muscles straining like treading water.” Interestingly, the most striking character is a relatively minor one: Sierra Eigelb, a random survivor who first appears about halfway through the novel. Her newfound affinity for killing turns her into a terrifying villain. The story’s swift pace leads to a surprisingly thorough wrap-up.
A tightly plotted tale with characters that could energize a planned series.Pub Date: Feb. 8, 2018
ISBN: 978-0-9944512-7-9
Page Count: 284
Publisher: Lakewater Press
Review Posted Online: Jan. 22, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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