Unlikely to enchant even readers who get the joke.
The first in a new early chapter book series that reimagines Disney baddies as youngsters.
It’s the first day of a new session at Lilliputian Villages Summer Camp, run by a former evil sorcerer with help from his daughter, Bloom. While the campers are a mix of witches, werewolves, and fairies, it isn’t clear what category Bloom falls into, though she has magic capabilities. Bloom welcomes her new bunkmates, including a dog-hating little girl with black-and-white hair named Cruella. The name of the series, Camp Lil’ Vills, might clue readers in to its premise: Each book features a childhood version of a famous Disney villain, in this case, Cruella De Vil from One Hundred and One Dalmations. Young Cruella tries to turn a cuddly magical creature into a hat, so, in an effort to teach her empathy, Bloom and her friend Benji transform Cruella into a Dalmatian—a plan that goes about as well as readers aware of adult Cruella’s exploits might expect. Featuring lots of whimsical phrases (“laughing our spell-socks off”), the story is predicated on readers’ familiarity with Cruella—though even ardent Disney fans may find the featherweight plot a bit lackluster. Characters’ race and ethnicity aren’t described in the text. In the black-and-white art, characters have skin the white of the page; Benji presents Asian.
Unlikely to enchant even readers who get the joke. (Fiction. 6-9)Pub Date: April 25, 2023
ISBN: 978-1-368-08442-0
Page Count: 144
Publisher: Disney-Hyperion
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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