A muddled look at the mysterious death of George Reeves, the first Superman, by poets and Hollywood buffs Kashner and Schoenberger (coauthors of A Talent For Genius: The Life and Times of Oscar Levant, 1994). The strong-jawed Reeves's real superpower seems to have been a capacity for alcohol. He also carried on a long affair with Toni Mannix, an older woman married to studio exec Eddie ``Bulldog'' Mannix, who approved of the affair. Reeves and Toni set up house in Benedict Canyon and generally lived a contented, suburban life, except for the 13 weeks in which Reeves was required to wear a blue and yellow padded suit and perform wonders on television. Reeves was a quiet fellow, well-liked on the set, though at times he was irritated by his brand of fame (he once greeted a young female fan, ``Hello, you little ovary clanker!''). But ten years into his affair with Toni, which the authors evoke with real tenderness, Reeves met Leonore Lemmon, a blonde party girl with an appetite for aging stars and gin. Toni was devastated by the breakup—by some accounts, she even had Reeves's beloved schnauzer put to sleep—and her incessant phone calls disturbed the new lovers day and night. Within a short time, Reeves was dead, apparently committing suicide in his room during a cocktail party on June 16, 1959. But rumors of a gunman persist—though just when the plot gets interesting (for Reeves comes off as little more than a cardboard figure, greatly overshadowed by his two lovers), the book becomes unhinged. The various accounts of Reeves's death are poorly presented—who was at the party? whose gun was it?—and characters flit in and out. The authors conclude it was murder, but they never assemble the pieces of the mess into a full and coherent picture. A sad life and death in Hollywood, but the gossip isn't much and the promising title turns to leaden prose.
Pub Date: Oct. 29, 1996
ISBN: 0-312-14616-7
Page Count: 224
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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