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RIVER WITHOUT A CAUSE

AN EXPEDITION THROUGH THE PAST, PRESENT AND FUTURE OF THEODORE ROOSEVELT'S RIVER OF DOUBT

An arrestingly dramatic account of two explorations, led by strikingly different men.

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Historian Moses traces Theodore Roosevelt’s perilous trip through the Amazon in 1914 and a later attempt to replicate it.

After his failed bid for president in 1912, a deflated Roosevelt was hungry for a redemptive adventure and decided to embark on a historic journey: a scientific expedition into the heart of the Amazon wilderness, including a formidable descent down what was ominously called the River of Doubt. He was joined by Brazil’s most renowned explorer, Col. Cândido Rondon, dubbed by one newspaper “The New Apostle of the Jungle.” The trip was astonishingly dangerous—three men died, one by murder, and Roosevelt became so ill from an infected wound to his leg that he contemplated suicide; his 24-year-old son, Kermit, talked him out of it. In 1992, Charles Haskell and Elizabeth McKnight, the co-founders of New Century Conservation Trust, brashly decided to follow Roosevelt’s footsteps and organized an expedition of their own with 20 travelers. They included author Moses, a reporter who grippingly recounts the trip in these pages, and the group was advised by Robert Carneiro, an expert from the American Museum of Natural History. The author writes that the latter warned the group that they might encounter Indigenous people who might respond with hostility: “Look right through them,” he advised. “Don’t run, don’t show fear. Slowly, very slowly, reach into your pocket and pull out a kazoo. I wish I was in Dixie might be good.” The Rio Roosevelt expedition, as it came to be called, was an untidy mélange of adventure, discovery, and disaster, due to what Moses characterizes as unreliable leadership. Haskell, Moses asserts, claimed that he’d served in the Vietnam War, but later admitted he hadn’t: “When I asked why on earth he would tell such a lie, he answered, ‘Because I was afraid no one would follow me if I didn’t have those credentials.’”

Over the course of this book, Moses proves himself to be as astute a historian as he is a reporter; he not only chronicles the 1990s expedition vividly, but he also brings to colorful life Roosevelt’s original trip. The former president is aptly portrayed as a larger-than-life figure—a man of nearly indefatigable vigor, who showed seemingly supernatural composure in the face of grave danger. As his son Kermit admiringly wrote: “Father’s courage was an inspiration never to be forgotten by any of us. With it all he was invariably cheerful, and in the blackest of times ever ready with a joke. Nothing but Father’s indomitable spirit brought him through.” Also, the author thoughtfully captures the “brutal battles between prospectors and Indigenous” people over a superabundance of natural resources, especially mahogany wood, and the ways in which contact with the world at large had greatly diminished the lives of many locals—most notably the Cinta Larga, a once vibrant people who, Moses writes, had “lost their myths.” This remarkable double chronicle—at once a history and a memoir—deftly combines journalistic meticulousness and novelistic storytelling, introducing reader to what Roosevelt called the “land of unknown possibilities.”

An arrestingly dramatic account of two explorations, led by strikingly different men.

Pub Date: March 5, 2024

ISBN: 9781639365579

Page Count: 288

Publisher: Pegasus

Review Posted Online: April 21, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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