Suitably wild homage: Should the Cat in the Hat be occupied elsewhere, this may fit the bill. (Picture book. 5-7)
Iggie and her jellybean-nosed tiger cat approach terminal boredom on a rainy day—until a herd of striped, checked, polka- dotted, pop-eyed Krazees spring from the drawers, cupboards, and other hiding places to gambol destructively about the house.
Swope (The Araboolies of Liberty Street, 1989) borrows more than the plot from Dr. Seuss—"Have you ever seen the Krazees?/Have you seen them here and there?/Have you seen them in your TV set/and in your underwear?"—but, heavy with nonsense words, the derivative text makes a properly silly read-aloud. Brace's rubbery monsters chase Iggie through room after room, sawing, spraying, and gobbling, but it's a tidy rampage, leaving knocked- over furniture but no visible stains or damage. At last the sun comes out, and once "plipple plop bim bango—poof!/Those Krazees go away," Iggie runs outside for a bit of "jumping stomping bongo bopping" of her own.
Suitably wild homage: Should the Cat in the Hat be occupied elsewhere, this may fit the bill. (Picture book. 5-7)Pub Date: Sept. 3, 1997
ISBN: 0-374-34281-4
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)
Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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