by Samantha Allen ‧ RELEASE DATE: June 28, 2022
A one-of-a-kind queer horror comedy for people who watch The Bachelor and The X-Files back-to-back.
Reality dating show contestants are pitted against each other and whatever lurks in the wilderness in this genre-defying fiction debut.
The Catch is down to its final four contestants, and the penultimate episode is taking place on Otters Island, a formerly famous “LGBTQ getaway” whose popularity declined after three hikers mysteriously disappeared in the 1990s. The women competing to marry smarmy tech company co-founder Jeremy Blackstone largely conform to stereotypes: Lilah-Mae is pro–prosperity gospel and anti–all things sexual; Amanda is an airhead obsessed with maintaining her social media presence; and Vanessa is the too-horny mean girl poised to be this season’s villain. Only Renee seems singular from the jump; she’s repulsed by Jeremy, coming to terms with her long-repressed attraction to women, and, as the only remaining Black contestant, keenly aware that she hasn’t been eliminated already because of optics. Allen pings among each contestant’s point of view (along with that of producer Casey) as they fight, film, and contemplate the possibility that there’s a dangerous cryptid in the surrounding woods, but most fun are the interspersed experiments in form, including posts from a Catch fan site and secret letters from a teen in 1972 to her girlfriend. The novel’s abbreviated length gets in the way of its impressive ambition; the transition from reality TV satire to gruesome horror is a little bumpy, and while Allen is clearly interested in letting her characters expand into complicated human beings, some readers may be left wanting more.
A one-of-a-kind queer horror comedy for people who watch The Bachelor and The X-Files back-to-back.Pub Date: June 28, 2022
ISBN: 978-1-63893-004-4
Page Count: 256
Publisher: Zando
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Rebecca Yarros ‧ RELEASE DATE: Nov. 7, 2023
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
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