by Samantha Berger ; illustrated by Kerascoët ‧ RELEASE DATE: Sept. 25, 2018
A book for new and seasoned artists alike.
An artist’s sketch of a little girl comes alive with a message of self-love in Berger and Kerascoët’s debut collaboration.
“Once upon a black piece of paper, where anything could happen… / an artist picked up a pencil and started to draw.” And where pencil meets paper, little Viva comes to be. But something about Viva isn’t right, or so her artist thinks, and down comes the eraser until Viva jumps right off the page in protest. “Excuse me, lady artist, ma’am, / but I like me the way I am,” she insists, and as her artist tries changing Viva’s hair, her body, and her background (all to no avail), Viva responds with variations on a refrain: “Find what is yours and carve out your spot… / take it and love it and rock it a lot!” Berger’s prose is a joyous celebration of self-love and empowerment, as Viva not only challenges her artist’s perfectionism to reframe supposed flaws, but also reminds her that “rock what ya got” was once the artist’s own powerful mantra. Kerascoët captures this same exuberance and breathes life into every inch of the page, juxtaposing the realistic world of the artist with Viva’s two-dimensional vibrancy. Nostalgia features heavily here but doesn’t weigh down the otherwise energetic narrative. Viva’s look is informed by the artist’s self-image, and both are illustrated as racially ambiguous, with beige skin and vigorously curly dark hair.
A book for new and seasoned artists alike. (Picture book. 3-7)Pub Date: Sept. 25, 2018
ISBN: 978-0-316-56150-1
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 23, 2018
Kirkus Reviews Issue: July 15, 2018
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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