Art and text take a literal definition and do a great job of running—er, creeping—with it.
The Snail Mail Promise: “Neither rain, nor snow, nor heat, nor hail will stop a snail from bringing the mail.”
After asserting that before “e-mail and sending, clicking and texting,” letters were sent by Snail Mail, the text introduces four snail mail carriers: Dale Snail, Gail Snail, Col. McHale Snail, and Umbérto. The tongue-in-cheek text goes on to say that people agreed that certain types of mail were made more special by Snail Mail. When a girl in Santa Monica who loves a boy in New York makes him a card, the snails are determined to deliver the letter. They creep into position under the letter and begin their slow, arduous journey. The art shows irresistible snails with eyeballs on stalks protruding above their clothed soft parts, shells exposed to the weather. There is a nod to cinematic conventions as the snail trail, represented by dashes in red ink, winds from the deserts of the West through the country’s heartland and into urban New York. Engaging watercolors offer varied landscapes and postcardlike views of famous landmarks. Another scene shows the snails briefly hitching a ride with sparrows. Both children have sweet, brownish faces. The absurdity of the premise—and repeated promise—is humorously upheld throughout.
Art and text take a literal definition and do a great job of running—er, creeping—with it. (Picture book. 3-7)Pub Date: May 1, 2018
ISBN: 978-0-7624-6251-3
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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