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MATISSE'S GARDEN

In its inventive approach to teaching art history, this book should inspire teachers and students alike to experiment with...

This book ingeniously narrates Matisse’s paper-cutout process visually, using the same medium as the artwork created by the painter while bedridden during his final years.

Amodeo’s elegant cutouts pay homage to the great artist by illustrating the evolution of Matisse’s use of this medium, from the creation of simple shapes such as birds and bees, through analysis of color harmony and relationships and exploration of positive and negative space, to pattern and composition. The artwork is so skillfully applied and photographed that the illusion of cut-paper shapes is maintained throughout. The elderly, bespectacled figure of Matisse is portrayed in cutout form as he experiments with shapes, first cutting out a simple bird, then adding shapes reminiscent of seaweed and fish inspired by his travels in Polynesia, then flying like the birds he is creating. Not satisfied with the white shapes, Matisse asks his assistants to paint sheets of paper in a range of shades so he can cut directly into color and experiment with different color combinations. Eight of Matisse’s original works are reproduced at intervals throughout the book, carefully chosen to illustrate key aspects of the artist’s intention.

In its inventive approach to teaching art history, this book should inspire teachers and students alike to experiment with color, shape and form in the same free and expressive mode as the master. (Informational picture book. 5-10)

Pub Date: Oct. 7, 2014

ISBN: 978-0-87070-910-4

Page Count: 48

Publisher: The Museum of Modern Art

Review Posted Online: Sept. 13, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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