Intelligent, complex, and ambitious, with symbols and structure that have life and movement, while the psychology at the...
A poetic, almost successful debut tale of a small-town girl who’s in love—in about equal parts—with the sea, her absent father, and a man named Jude.
That the narrator often seems younger than her 19 years may be due partly to the influence of the seedy, parochial, decrepit little seaside town where she lives—the town her father mysteriously disappeared from 11 years back, leaving wife and daughter to catch as catch can. “We don’t move away,” she tells us, “ . . . because we are waiting for him to return.” And the wait, it’s hard for a reader to deny, feels long as the girl aches incessantly not only for her father but for the love of 33-year-old Jude, whom she met once when she was wading in the sea—and Jude was coming out of it, thus reminding her of her father, who may (not an absolute certainty) have disappeared into it. Jude and the girl become fast friends but not lovers—nor, however much she yearns for sex with him, do they become lovers later, in the novel’s present time, after Jude has gone to and returned from the first Iraq war. After Iraq, he’s different—inward, melancholy, “war-torn.” And sexually unresponsive. And so things are frozen, halted. Only as Hunt turns farther toward a lyric magic realism where the real, symbolic, and imaginary blend, is it possible for the story’s resolution to occur. The trouble is, though, that all hangs on Jude’s war traumas, which have an inserted and prepackaged feel, and, further, don’t provide change but only shock. Dream, madness, error, and sorrow, plus another strange and magical encounter, will at last bring everything to an end, if not a close.
Intelligent, complex, and ambitious, with symbols and structure that have life and movement, while the psychology at the base of it all remains stubbornly—and unsatisfyingly—inert.Pub Date: Nov. 8, 2004
ISBN: 1-931561-85-0
Page Count: 196
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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