All in all, this alphabet book lacks steam.
Almost every kind of vehicle has been alphabetized in a picture book. This companion to Alphabet Trucks (2013) chugs along, depending on rhyming text to identify the type and purpose of 26 trains.
The opening verse sets the scene: “tear the ticket. / Load the freight. / Sound the whistle. / Raise the gate.” The book proceeds to present the 26 trains, two to a double-page spread from A to Z, and too few take advantage of the layout to create interesting visual juxtapositions. One spread, in which an elevated train travels on tracks supported by uppercase E’s as a freight train passes below, loaded down with both capital and lowercase F’s, is a pleasingly fanciful exception. While some of the train choices are logical, such as bullet trains, narrow-gauge trains, and snowplow trains, many more are a stretch, relying on specific route or train names and even, in one case (Alaska’s Hurricane Turn), an actual stop, to make up the alphabet. The Leonardo Express, which takes passengers from Rome’s airport to the city, the Xplorer train, which links Sydney to Canberra in Australia, and the Yellow Train, which travels through the Pyrenees, are examples of these. The legend in the back cites the origin of each one, a mix of historical and current trains, such as the Jupiter, which was part of the Golden Spike ceremony in Utah in 1869. The Photoshop illustrations ineffectively employ perspective, so people and scenes are flat in appearance and the trains, blockish in style.
All in all, this alphabet book lacks steam. (Alphabet picture book. 4-7)Pub Date: Aug. 18, 2015
ISBN: 978-1-58089-592-7
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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