by Samhita Arni & illustrated by Moyna Chitrakar ‧ RELEASE DATE: Oct. 1, 2011
A valuable piece of historical literature brought to the forefront for thoughtful new readers.
A vibrantly illustrated graphic-novel retelling of an ancient Indian legend.
Written in 300 B.C.E., the Ramayana is one of the great epics of India. In a world where demons and monkeys mingle freely with humans, Queen Sita has been living peacefully with her husband, King Rama, and his brother, Lakshmana. A treacherous demon tries to trick Rama, and an impulsive act of violence on Rama's part begins a years-long war that begets nothing but violence and heartbreak for the queen. Through her husband's impetuous deed, Sita becomes part of a vengeful plot and is abducted by a fierce, evil demon king. Rama wages a bloody war to win back his queen, though once rescued, Sita’s tale really only just begins. It's not quite a traditional graphic novel: Chitrakar’s art is in the style of Patua scrolls, a long Indian narrative form. In a stark departure from Western styles of illustration, the characters are each depicted in a similar way and can be difficult to tell apart at times. Also somewhat jarring is the type—a hard, modern-looking one that strangely alternates all caps and regular text—that seems anachronistic against the very traditional-looking backdrop. These idiosyncrasies aside however, Sita’s tale is absolutely compelling and exciting.
A valuable piece of historical literature brought to the forefront for thoughtful new readers. (Graphic novel. 12 & up)Pub Date: Oct. 1, 2011
ISBN: 978-1-55498-145-8
Page Count: 152
Publisher: Groundwood
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by R.J. Palacio ; illustrated by R.J. Palacio with K Czap ‧ RELEASE DATE: Oct. 1, 2019
A must-read graphic novel that is both heart-rending and beautifully hopeful.
A grandmother shares her story of survival as a Jew in France during World War II.
As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.
A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)Pub Date: Oct. 1, 2019
ISBN: 978-0-525-64553-5
Page Count: 224
Publisher: Knopf
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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Film Version of White Bird Is Now in Development
by Mark Crilley ‧ RELEASE DATE: Feb. 8, 2000
Opening episodes of a comic-book series created by an American teacher in Japan take a leap into chapter-book format, with only partial success. Resembling—in occasional illustrations—a button-eyed, juvenile Olive Oyl, Akiko, 10, is persuaded by a pair of aliens named Bip and Bop to climb out her high-rise bedroom’s window for a trip to M&M-shaped Planet Smoo, where Prince Fropstoppit has been kidnapped by widely feared villainness Alia Rellaport. Along with an assortment of contentious sidekicks, including brainy Mr. Beeba, Akiko battles Sky Pirates and video-game-style monsters in prolonged scenes of cartoony violence, displaying resilience, courage, and leadership ability, but not getting very far in her rescue attempt; in fact, the story cuts off so abruptly, with so little of the quest completed, and at a lull in the action to boot, that readers expecting a self-contained (forget complete) story are likely to feel cheated. (Fiction. 10-12)
Pub Date: Feb. 8, 2000
ISBN: 0-385-32724-2
Page Count: 162
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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