An entertaining tale that will appeal most to fans of art history and literature.
Khayyam Maquet, a 17-year-old rising high school senior, wallows in self-pity during her family’s annual summer trip to Paris.
Her failed essay contest entry chasing a theory about a lost Delacroix painting gifted to Alexandre Dumas dashed her hopes of impressing her dream art school. When Khayyam perhaps too coincidentally meets the sixth-great-grandson of Dumas himself, also called Alexandre Dumas, they embark on a quest to find the lost painting of a mysterious raven-haired woman. The narration alternates between Khayyam, a conflicted teen who falls for present-day Alexandre while she is still hung up on her noncommittal boyfriend back home in Chicago, and Leila, the beautiful, mystical Muslim subject of the painting who lived during the 19th century as a concubine to an Ottoman pasha and yearned for freedom and to be with her true love. Ahmed (Internment, 2019, etc.) explores weighty themes including Orientalism, women silenced by history, and the responsibility of sharing their unheard voices as Khayyam grapples with who has the right to tell someone’s story. Familiar teen romance and angst, including flip-flopping on feelings and motivations, mix with academic discoveries and intrigue in this fast-paced, if at times dense, mystery. Khayyam is an American Muslim teen with French and Indian parents; the novel explores her biracial and bicultural identities.
An entertaining tale that will appeal most to fans of art history and literature. (Fiction. 14-adult)Pub Date: April 7, 2020
ISBN: 978-1-61695-989-0
Page Count: 312
Publisher: Soho Teen
Review Posted Online: Jan. 6, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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