Moving tales of ordinary people navigating an unimaginable degree of violence and strife.
A journalist who has spent significant time in Karachi fashions a series of narrative portraits of the city’s beleaguered denizens, suffering “one of the worst outbreaks of violence” since the 1990s.
A coastal city bloated by migration since Partition in 1947, Karachi was the first capital of Pakistan, until 1967, and it remains the economic heart of the country. In these affecting portraits of five Karachiites trying to make a living in the dense, teeming metropolis, New Humanist editor Shackle—whose family emigrated from Pakistan to the U.K. in the 1970s before she was born—reveals the struggles of the countless disparate groups competing for physical space, jobs, and basic services like health care and sanitation as violent Mafia groups step in to fill the void left by a largely military government. Safdar, a young Pashtun who “emanates an electric energy,” is determined to become an ambulance driver after a childhood in which he helped take care of his polio-stricken brother. The job is one of the most dangerous in the city, taking him to retrieve corpses left by rival gangs. But he perseveres in order to help his fellow citizens, even thinking that he must eschew marriage because of the danger. Parveen, a young teacher in the “street schools” of Lyari, tries desperately to keep her vulnerable staff and pupils from joining the neighborhood gangs, at her own peril. Jannat, who lives in an isolated village just outside of the city, managed to complete school beyond the fifth grade, the first in the village to do so, but her prospects for personal advancement were thwarted by early marriage and children. In addition to the eye-opening personal stories, Shackle weaves in Pakistani history, including the rise of the Taliban and the dizzying array of political parties, riots, natural disasters, and sectarian violence that have plagued the city for more than a decade. The author also includes a timeline (1992-2018) and a list of relevant political groups.
Moving tales of ordinary people navigating an unimaginable degree of violence and strife.Pub Date: Aug. 10, 2021
ISBN: 978-1-61219-942-9
Page Count: 272
Publisher: Melville House
Review Posted Online: June 9, 2021
Kirkus Reviews Issue: July 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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