Freedman (Journalism/Columbia), author of the acclaimed Small Victories (1990), about the tribulations of an N.Y.C. English teacher, turns his attention to a Brooklyn minister and his can-do church—with riveting results. When the Rev. Johnny Ray Youngblood assumed leadership of St. Paul Community Baptist Church in East New York—the most violent neighborhood in the city—his parishioners numbered 84. Fifteen years later, the church counts 5,000 members and a full-time staff of 51. What made the difference? Above all, Youngblood's skill in attracting African-American males, who traditionally drop off their women at the church door. Youngblood developed a ministry ``that builds a nation by building a family, that builds a family by telling a man to act like a man.'' There were other innovations, too: tithing, buying up neighborhood buildings, establishing groups for ex-convicts and ex-addicts, etc. This is an activist ministry, bootstrap religion—and the results speak for themselves, in hundreds of reclaimed lives. Freedman, sensibly, lets Youngblood and his followers do all the preaching. Incredible stories abound, from that of a junkie who pulls himself into dignity to that of the church's only white member, who turns from despair to hope with Youngblood's encouragement. The minister, too, undergoes a redemption, acknowledging the son he fathered out of wedlock while a young man in New Orleans. Freedman recounts Youngblood's life history, as well as that of the church and the neighborhood, but all this is icing. The cake is the joyous, fighting life of the congregation as it sings, prays, begs, yells, and loves, proclaiming the message of liberation, which Freedman calls the essence of African-American spirituality. The legacy of Martin Luther King in all its glory, and more proof that the struggle for social justice may have religion at its core.
Pub Date: Feb. 17, 1993
ISBN: 0-06-016610-X
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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