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THE ROAD TO THE SALT SEA

A bracing, well-paced story of migrant desperation.

A young Nigerian man’s effort to escape his country provokes a series of moral compromises.

Kolawole’s debut novel opens like a thriller: Able God, the protagonist, is nursing a badly wounded hand; he’s desperately trying to reach a couple of people on his phone and is in a rush to get out of town. Soon the story backtracks into an explanation: Able God is a bright young man whose university degree has earned him only a low-level job delivering room service at a pricey hotel. There, he witnesses the aftermath of a man violently abusing a prostitute; not long after, the two men tussle, leading Able God to kill the other with a shard of glass. He can argue self-defense, but the police likely won’t take his side and the prisons are unspeakable, so he acts on a man’s proposal that he start a new life in Europe. The pitch is suspicious—he doesn’t have to pay any money upfront?—but lacking options, he hops aboard a bus headed north. From there, Kolawole’s narrative goes relatively slack, following Able God’s point-by-point trek across the Sahara, stopping at way stations in Niger, Libya, and Italy that make his decision feel all the more ill-advised; his dream of living in Europe as a professional chess player, unlikely to begin with, seems increasingly tragicomic. But if Kolawole’s narrative is straightforwardly linear, its portrait of moral degradation is memorable, as Able God is forced to abandon his virtues one by one for the sake of survival. Kolawole sometimes puts unnecessary stress on the ironies and horrors of his hero’s predicament—“Able God found the logic of the operation impeccable but also evil”—but Able God is never reduced to a type. He’s one of countless refugees seeking a new life, but his trials are singular and harrowing.

A bracing, well-paced story of migrant desperation.

Pub Date: July 2, 2024

ISBN: 9780063050853

Page Count: 304

Publisher: Amistad/HarperCollins

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: May 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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