by Samuel P. Huntington ‧ RELEASE DATE: May 1, 2004
A work of serious intent that is certain to arouse controversy.
Scholarly analysis of the American national identity as it has evolved over the centuries, the challenges it now faces, and the choices that lie ahead.
Huntington (History/Harvard; The Clash of Civilizations, 1996, etc.) argues that Anglo-Protestant culture, traditions, and values and the principles of the American Creed—liberty, equality, law, individual rights—have made this country what it is. In recent decades he sees doctrines of multiculturalism and diversity elevating racial, ethnic, and gender over national identity, and an increased tendency of immigrants, especially Hispanics, to maintain dual identities rather than to assimilate. The result is an emerging bilingual, bicultural society fundamentally different from the one of the three previous centuries with its Anglo-Protestant, English-language core. Controversies over racial preferences, immigration, and an official language are, he notes, battles in a single war over national identity, with substantial elements of the country’s elites in academia (himself not included), the professions, and the media on one side and the general public on the other. Huntington bolsters his analysis with impressive statistics, and he assembles persuasive examples to illustrate the changes he sees taking place. To the question of whether a nation lacking a cultural core can define itself by ideology alone—that is, can America be a coherent nation if the American Creed is its sole source of national identity?—his answer is a firm no. A nation’s soul, he states, is determined by a common history, traditions, and culture. As to where we go from here, he sees the world entering a new age of religion, one in which the nation’s ideological war with militant communism has been replaced by a religious and cultural war with militant Islam. He outlines three possible approaches to the country’s role in the world: cosmopolitanism, in which the US welcomes the world, its ideas, its goods, and its people; imperialism, in which the US is the dominant component of a supranational empire reshapes the world; and nationalism, in which the US does not try to eliminate the social, political, and cultural differences between itself and other societies but seeks to preserve and strengthen its own defining qualities. Elites may favor cosmopolitanism or imperialism, but most Americans, Huntington says, are, like him, patriots committed to nationalism.
A work of serious intent that is certain to arouse controversy.Pub Date: May 1, 2004
ISBN: 0-684-87053-3
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2004
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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