A finely wrought, heartbreaking self-portrait.
The quiet horror of self-destructive love fuels this beautifully proportioned novella; since Embers (2001), this is the third work of the Hungarian (1900–89) to be translated into English.
Esther tells her story with reflective calm. The middle-aged woman lives simply with Nunu, an older female relative, in their family home in the country. The sale of almonds from their garden keeps them afloat. Some 25 years before, Esther had fallen passionately in love with Lajos, “the only man I ever loved.” Lajos had appeared to return her love yet went on, inexplicably, to marry her kid sister Vilma. At that time Lajos enthralled her whole family, but especially her brother Laci; the two men had lived together in the capital when college students. Unfortunately Lajos was a charismatic fraud, always lying to cover up his debts. Esther had seen through him from the start, but had been swept away by the desire to live dangerously, Lajos’s philosophy. Back to the present. A telegram arrives from Lajos: He’s coming to visit for the day. Wise old Nunu knows he must be after money. Lajos brings with him his grown children (Vilma died long ago) and two other people, strangers. Márai shades his character subtly. Lajos still has his old magic and is much more appealing than his equally predatory daughter, but once alone with Esther, he asks her if the house still has a mortgage, and almost immediately she signs over the house to him, insisting only that Nunu’s future be protected. Esther is under no illusions. She knows that Lajos is, as the public notary warns her, “a scoundrel.” So why does she do it? Is she hoping for a miracle? Does she want to live dangerously again? Is it because, as an old friend says, “Doomed love cannot die”? Puzzling out Esther’s surrender is what gives the story its rueful charm.
A finely wrought, heartbreaking self-portrait.Pub Date: Nov. 6, 2008
ISBN: 978-1-4000-4500-6
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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