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PICTURES FOR MISS JOSIE

An African-American boy’s success is demonstrated in this brief narrative that credits the supportive mentoring he received from a strong and disciplined educator. The young boy first meets Miss Josie when his father brings him to her home for an overnight stay. Her tall, imposing appearance is intimidating and makes the boy feel unsure of the purpose of his visit even as she introduces him to her capital city’s famous monuments and symbols and encourages his interest in art by allowing him to draw while in her home. Several years later, when he’s traveling to a summer camp and needs to change trains in Washington D.C., his father arranges a meeting with her in the station, but the boy’s continued uneasiness prevails and he carefully avoids her before boarding the next train. College brings the now him to Washington once more. He agrees to one Sunday visit with Miss Josie, as he realizes her towering presence is no longer scary, but protective and inspiring, and a new learning relationship and lasting friendship develop. The years pass, bringing graduation, marriage, and a son. Miss Josie, while physically older and increasingly slower and deafer, maintains a strong influence in the new father’s life and the cycle continues when he introduces his own boy to the woman who urged him to follow his artistic dream. Belton bases this gracious, gentle-hearted story on a real person. Andrews employs an elongated style in full-color collage and oil paints that highlights Miss Josie’s statuesque and eloquent figure against a bright and vibrant background. A fine tribute. (Picture book. 5-9)

Pub Date: April 1, 2003

ISBN: 0-688-17480-9

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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