Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

BETWEEN THE CRACKS

THE LIFE OF AN ORDINARY WOMAN WITH EXTRA ORDINARY GIFTS

A rich, evocative tale of growing up in Canada.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this coming-of-age novel, a young woman grapples with faith and unusual powers.

Bradley’s bildungsroman tells the story of Grace MacGregor. A brief prologue informs readers of Grace’s gifts, which include sensing someone’s past and future and even traveling through time. But the prologue is a bit of misdirection; Grace’s first-person narration is a detailed and largely realistic depiction of growing up after the Depression. In the opening chapters, she fondly recalls her childhood in Northwestern Ontario with her resourceful mother and handy father, an employee of the Canadian Pacific Railway. Grace, eager to attend school, is entranced by her older brother Joey’s books. Even though she can’t read them, she pores over the stories from The Lives of Saints. Her interest spawns an ambition. “When I grew up and was a teenager,” she thinks, “I was going to be a saint.” The gift Grace uses the most is her ability to see light coming off people. For instance, in the presence of pubescent teens, she notices: “They had all these oranges and reds streaming out of their privates and yet they still glowed the baby colours around their hearts.” The first of the novel’s four sections collects such family memories as an exciting summer trip to Biscotasing, her father’s hometown. In the second section, Grace attends school; a serious student, she challenges her teacher, disturbing the nun. In the third section, “Leaving Town,” Grace’s sexual awakening unfortunately coincides with her enrollment in a convent boarding school. The author enumerates the miseries of the school and how most of Grace’s classmates attend against their will, “under duress.” Grace eventually changes schools; at age 16, she becomes a teacher. She experiences her first real romances, including an ill-fated one. Her powers help her see what’s coming: “Somewhere deep inside was a niggling that it wasn’t going to happen for me the way I would like it to.”

This series opener is a treasure trove of details and vivid characters. Grace certainly has intriguing abilities, but her powers don’t make the book more compelling. If anything, they at times distract from the well-wrought and intricate story of a Canadian family getting by. Bradley has a keen eye for detail. Grace describes how her Italian grandfather, her mother’s father, “rolled out the large blob of fresh pasta dough with a clean broom handle, and with a huge butcher knife cut it in fine strips.” While miserably hungry at the convent, Grace lists the food she squirrels away: “An ear of cold raw corn from the pantry, the starch making it barely edible; leftover boiled potatoes already turning greyish-black from having been left exposed on a pantry counter.” The novel’s main achievement is Grace, whose unusual powers mirror her strange temperament. The author skillfully captures the earnestness and innocence of Grace’s divine aspirations. “Please God, I didn’t mean to laugh at them,” she prays, when a pool hall proprietress falls on top of a priest. “Hope this doesn’t ruin things as I study to be a saint?” Moving through the years, Bradley’s chronicle reveals the youthful impatience to mature and be important but pauses here and there to sketch indelible portraits of human triumph and tragedy.

A rich, evocative tale of growing up in Canada.

Pub Date: N/A

ISBN: N/A

Page Count: 308

Publisher: Tellwell Talent

Review Posted Online: July 29, 2020

Kirkus Reviews Issue: Sept. 1, 2020

Next book

WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 295


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 295


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Close Quickview