Packed with surprises and the kind of propulsive plot for which Brown (Smoke Screen, 2008, etc.) is justly famous, this...
A rich man is murdered, and suspicion falls on his much-younger mistress and the movie-obsessed nephew who is heir to his fortune.
When ace defense attorney Derek Mitchell meets stunning Julie Rutledge on a transatlantic flight, he’s far too distracted by her considerable charms to question his good fortune. Back on the ground, he discovers that his mile-high-club partner was not only the companion of wealthy blueblood Paul Wheeler, recently gunned down in a hotel stick-up, but one of the people most likely to benefit from his demise. For her part, Julie claims that her preemptive seduction was merely a ploy to ensure that Derek would be compromised and unable to represent Paul’s creepy nephew Creighton, whom she is convinced had Paul killed. Narcissistic, manipulative Creighton is certainly a piece of work, but does he really have what it takes to be a killer? Well, yeah, but he has an alibi, and although Derek really wants to believe Julie, he senses that she’s hiding something. Her fate lies in the unlikely hands of Billy Duke, a one-time con man Creighton somehow convinced to kill Paul, while keeping his own hands clean. As the evidence mounts against Julie, Creighton finds creative ways to torment her and Derek, borrowing liberally from the classic crime movies he watches repeatedly. Creighton’s twisted recipe for mayhem includes a bit of Hitchcock’s Frenzy, a lot of Strangers on a Train, and even a nod to The Godfather’s famous horse-head scene. The stakes keep getting higher until clearing Julie’s name becomes secondary to preventing the death of an innocent woman who happened to fall for the wrong guy.
Packed with surprises and the kind of propulsive plot for which Brown (Smoke Screen, 2008, etc.) is justly famous, this effort will not disappoint her readers. Too bad she doesn’t go any deeper with her characters, especially chivalrous Derek, who is far too nice to be convincing as a shark lawyer.Pub Date: Aug. 1, 2009
ISBN: 978-1-4165-6308-2
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2009
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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