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OUT OF ORDER

STORIES FROM THE HISTORY OF THE SUPREME COURT

For the time being, a well-considered, lively survey of what the Supreme Court does, how it’s constituted and, bonus round,...

Here comes the judge—and she has stories to tell.

O’Connor (The Majesty of the Law, 2003, etc.), the first woman to serve as a justice on the Supreme Court—though, she hastens to add, not the first woman to hold a post of importance in that highest judiciary in the land—has been retired for half a decade, but still she is asked what being a justice is like. And, of course, she’s heavily involved in civic education, educating Americans about what being American is about. The result is this lightly told but deeply thought-through history of the court, part of “a government that develops and evolves, that grows and changes, over time.” Her case studies are many, including Marbury v. Madison, which articulated some of that evolution and established the court’s authority as the final arbiter of the constitutionality of legislation, and some of Daniel Webster’s greatest hits—for, she reminds us, Webster argued some 200 cases before the court, “known for his ability to marshal precedents and historical evidence with skill.” Apart from the most significant cases, such as Brown v. Board of Education, O’Connor examines just a few minor cases and then mostly to illustrate points about the humanity of the court—Scalia is a funny guy, Rehnquist was a card, etc. She is candid, opinionated and even entertaining throughout, though we wait breathlessly for the fly-on-the-wall story of how the Supreme Court decided to give George W. Bush the presidency.

For the time being, a well-considered, lively survey of what the Supreme Court does, how it’s constituted and, bonus round, how to argue before it.

Pub Date: March 5, 2013

ISBN: 978-0-8129-9392-9

Page Count: 256

Publisher: Random House

Review Posted Online: Feb. 7, 2013

Kirkus Reviews Issue: March 1, 2013

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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