by Sandra Dumais ; illustrated by Sandra Dumais ; translated by Sandra Dumais ‧ RELEASE DATE: Sept. 15, 2020
A shaggy dog story with chickens. What’s not to like?
This graphic novel is precisely as obtuse as it should be.
The most famous—and possibly the dumbest—chicken joke of all time is, “Why did the chicken cross the road? To get to the other side.” It follows a classic formula. It treats something ridiculously obvious as a huge surprise. This chicken story adopts the same structure. A hen lays an egg and can’t figure out why it’s suddenly vanished, even though one of the clues is a broken eggshell. She even brings in “the world’s #1 goat detective,” Billiam Van Hoof, who takes a plane to reach the other end of the farm. Some readers will lose patience once they realize the egg has simply hatched. Others will want to see how Dumais maintains the suspense. Arguably, she doesn’t. She just keeps adding more clues (a feather, teeny little footprints) until the pages run out. But the details along the way are hilariously confused: a signpost pointing to “unknown,” a map that’s accidentally drawn upside down. And the childlike illustrations are, for the most part, sweetly minimalist. One sequence consists of nothing but eyes glancing suspiciously at each other. But because every character is an extremely anthropomorphized animal, readers are treated to absurd touches like a cow wearing a black-and-white spotted dress. And many readers will enjoy feeling ahead of the game.
A shaggy dog story with chickens. What’s not to like? (Graphic mystery. 5-10)Pub Date: Sept. 15, 2020
ISBN: 978-1-77147-415-3
Page Count: 48
Publisher: Owlkids Books
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi ‧ RELEASE DATE: Dec. 26, 2017
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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