MARJORY SAVES THE EVERGLADES

A visually rich look at the life of Marjory Stoneman Douglas, a champion of the Everglades.

Vivid and lush, done in acrylic ink and colored pencil, the illustrations immediately greet readers with skies full of birds and flowers that create a horticultural rainbow. Alas, the bold, folk-style illustrations that provide so much visual interest cannot save a problematic text about a noteworthy woman. Vague, suggestive lines pepper the narrative, leading to more questions than answers: “…it would be a long time before Marjory felt the southern sunlight again. Or her father’s warm hug.” With no mention of a family separation to help them along, readers will be puzzled. “Finally, she found her voice. It wasn’t her father’s voice, her mother’s voice, or Aunt Fanny’s. It was entirely the voice of Marjory Stoneman Douglas.” Readers will wonder, did any of those people try to silence her? Her father (now back in the story) gave her the reporting job where she found that voice and used it to advocate for women’s suffrage. Marjory “became an activist” in her later years. But what was all of her advocacy prior to that? The fatal flaw of the text, however, lies in its promotion of Marjory Stoneman Douglas, a white woman, as leader of the charge to save the Everglades, reducing the work of the Miccosukee and Seminole tribes (and countless others) to a sentence in the author’s note. (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at actual size.)

Readers (and Marjory) deserve better.