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KILL THE ANGEL

A harrowing if entertaining ride. Fans of Thomas Harris’ Hannibal Lecter series will, beg pardon, eat this up.

More murder, mayhem, and madness, Italian-style.

Dazieri’s Kill the Father (2017) introduced two psychically wounded characters, Dante Torre and Colomba Caselli, who wrestle with various demons while solving extremely nasty crimes. In this follow-up, the opening gambit is a very nasty crime indeed, with a whole train car full of victims—and that car is the first-class compartment of the Milan-to-Rome express, exciting visions of the class struggle. Of one victim, Dazieri writes by way of warming up to the subject, “the officer decided that this was the deadest dead person he’d ever laid eyes on.” Leave it to a book with a lead named Dante to impose degrees of deadness, but whatever the case, suspicion immediately falls on the usual suspects—the Muslims, that is. A few raids on mosques and one exploding head later, Dante divines that maybe the Islamic State group isn’t to blame after all; for her part, the already well-traumatized Colomba is put on leave, giving her and Dante the freedom of the highway. What they discover while trundling back and forth to Germany, Austria, and elsewhere is that the real killer is Giltine, an avenging angel of sorts, a woman engineered to a fine point of psychosis, with the fingerprints of Stasi and KGB all over the scene. “She scares me, CC,” says Dante. He’s almost as dead inside as Giltine, whose name is that of the goddess of death in ancient Lithuanian mythology, but Giltine has a special knack for recruiting people from bad novelists to Norman Bates wannabes to do her dirty work for her, a whole army of darkness. Can Dante and Colomba save the NATO powers from a woman who likes nothing better than to stick syringes full of mescaline and psylocibin into her victims’ eyes? That question is answered with the most carefully crafted of cliffhangers, one that leaves the door wide open for more blood-spilling adventures to come.

A harrowing if entertaining ride. Fans of Thomas Harris’ Hannibal Lecter series will, beg pardon, eat this up.

Pub Date: Feb. 20, 2018

ISBN: 978-1-5011-7465-0

Page Count: 464

Publisher: Scribner

Review Posted Online: Nov. 27, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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