by Sang-Keun Kim ; illustrated by Sang-Keun Kim ; translated by Chi-Young Kim ‧ RELEASE DATE: Nov. 19, 2019
Stillness, tenderness, and hope are the essence of this quiet gem.
Befriending someone made of snow holds certain risks.
Heading home to his grandmother, Little Mole finds a small snowball. He greets it, pushes it along so it grows far taller than him, and tells it a secret: “ ‘I just moved here. I don’t have any friends.’ / The snowball listened quietly.” He wants to bring this new friend home with him on the public bus, but these buses are for animals, not snow, and each driver nixes the idea. What if Little Mole shapes the snow into a bear? Gives it a snow-backpack or his own hat? Finally aboard a warm bus with his friend, Little Mole dozes off. When he wakens, the worst has happened. Most readers will understand why the snow-friend’s gone, but Little Mole doesn’t, and a great sadness ensues. Kim’s textual refrains (“Little Mole had a brilliant idea”; “He and his friend waited patiently”) are gently reassuring. The illustrations—done in colored pencil, pastel, and pen—are quiet and spare, showing snowy wilderness expanses with only a few trees and bus-stop signs. White snow blends softly into blue skies, with pale yellow used for warmth. Everything seems headed to the saddest possible ending, for how could a melted friend return? But after Little Mole’s sleepless night, the friend does return—or its likeness does—sitting across a snowy field, waiting. Did it come from magic or Grandma? Is there a difference?
Stillness, tenderness, and hope are the essence of this quiet gem. (Picture book. 4-7)Pub Date: Nov. 19, 2019
ISBN: 978-0-525-58134-5
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Sang-Keun Kim ; illustrated by Sang-Keun Kim ; translated by Ginger Ly
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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