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LOVE IN THE BIG CITY

An addictive, profound novel.

A novel, told through relationships, about navigating life as a young gay man in Korea.

In a series of long vignettes, the narrator, an unnamed man referred to occasionally as “Mr. Young” and “Mr. Park,” recounts his relationships: with other men; with his ailing, acidic, evangelical Christian mother; with his best friend. He meets Jaehee when she catches him kissing a man in a hotel parking lot. The two of them, both 20 years old and French majors in college, quickly become confidants, sleeping around with men and swapping stories about their escapades; eventually, they move in together. Now in his 30s, the narrator attends Jaehee’s wedding and feels a pang of loss. In another section, the narrator, now 25, is in the midst of an intense relationship with a man 12 years his senior while juggling caretaking duties for his mother, who is confined to the hospital with uterine cancer. Five years later, after a wounding and sudden breakup, the man gets back in touch with the narrator—raising the possibility that he might finally introduce his mother (whose cancer has returned) to his old flame. The bulk of the book, though, is dedicated to Gyu-ho, the bartender with whom he has a long-term relationship complicated by the narrator’s HIV-positive status. The novel skips freely around in time, lending it a sense of propulsion and instability that feels entirely intentional. It’s anchored, however, by the narrator’s irresistible voice, which alternates between earnest, heartfelt emotion and likable wryness: He names his virus Kylie, after Kylie Minogue, and sees, at a park, “a middle-aged couple so tightly arm in arm that one seemed to have placed the other under arrest.” The prose is dense with fine-grained characterization: Of one boyfriend, the narrator says, “Conversations with him at his house sometimes gave me the feeling that he was reciting lines from a Greek tragedy or an absurdist play, or even an eighties movie.” Despite an ending that drags just a bit, this book will sweep readers up in its sheer longing.

An addictive, profound novel.

Pub Date: Nov. 9, 2021

ISBN: 978-0-8021-5878-9

Page Count: 240

Publisher: Grove

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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