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MADDIE & SAYARA

A mostly engaging story of sticking up for one’s own beliefs, aimed at young readers interested in questions of social...

A spunky 13-year-old girl challenges the sexist laws of another country in this middle-grade novel of girl power and social justice.

Maddie is on vacation in the Bahamas when she first meets Sayara. They have several things in common: they’re the same age; they both find their little brothers annoying; and they both have doting nannies. Their friendship is cut short, though, when Sayara must return to the unnamed kingdom where she lives, because her beloved cousin Themi has been arrested for driving while female. Maddie is incensed at this and a host of other unfair laws that Sayara must deal with. She vows to go to any lengths to help her friend—even if it means using her mother’s airline miles to book a ticket to the kingdom. On her flight, she meets Alisha, a native of the kingdom who left because of the oppressive societal strictures. She lends Maddie a garment called a “tent,” which all women are required to wear. When Maddie arrives at the kingdom, the “FP,” or Faith Police, are angry that she doesn’t have a man accompanying her; Alisha’s husband swoops in to help, and the family takes Maddie in. Soon her mission to help Sayara is revealed, and despite the risks, Alisha and her family agree to help. Overall, Maddie is an enjoyable and bright first-person narrator with a voice that’s imbued with all the attitude and passion of an authentic teenage girl. It’s also a pleasure to encounter the many grown-ups in her life who inspire her, from her independent Aunt AK (“I’ve always wanted to be like her,” Maddie says. “She’s not only pretty on the outside, but really kind on the inside”) to her forgiving father and Alisha’s wise parents. Some of the dialogue about the injustices in the kingdom is heavy-handed; for example, Themi’s impassioned speech about the unfair laws goes on for more than five pages. But despite the unsubtle messaging, the escalating drama and Maddie’s energetic narration will keep readers turning pages.

A mostly engaging story of sticking up for one’s own beliefs, aimed at young readers interested in questions of social justice.

Pub Date: July 23, 2017

ISBN: 978-1-943967-88-9

Page Count: 190

Publisher: Full Circle Media

Review Posted Online: July 28, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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