by Sara Collins ‧ RELEASE DATE: May 21, 2019
Collins invokes both Voltaire and Defoe here, and she forges an unlikely but sadly harmonic connection with both these...
There’s betrayal, depravity, pseudoscience, forbidden love, drug addiction, white supremacy, and, oh yes, a murder mystery with tightly wound knots to unravel.
The citizenry of 1826 London has worked itself into near apoplexy over the sensational trial of “The Mulatta Murderess,” aka Frances Langton, a Jamaican servant accused of brutally stabbing her white employers to death. Though caught on the night of the murders covered with blood, Frances cannot remember what happened and thus cannot say whether or not she is guilty. “For God’s sake, give me something I can save your neck with,” her lawyer pleads. And so Frannie, who, despite having been born into slavery, became adept at reading and writing, tries to find her own way to the truth the only way she can: By writing her life’s story from its beginnings on a West Indian plantation called Paradise whose master, John Langton, is a vicious sadist. He uses Frannie for sex and as a “scribe” taking notes on his hideous experiments into racial difference using skulls, blood, and even skin samples. After a fire destroys much of his plantation, Langton takes Frannie to London and makes her a gift to George Benham, an urbane scientist engaged in the same dubious race-science inquiries. Frannie’s hurt over her abandonment is soon dispelled by her fascination with Benham’s French-born wife, Marguerite, a captivating beauty whose lively wit and literary erudition barely conceal despondency that finds relief in bottles of laudanum. A bond forms between mistress and servant that swells and tightens into love, leading to a tempest of misunderstanding, deceit, jealousy, and, ultimately, death. Collins’ debut novel administers a bold and vibrant jolt to both the gothic and historical fiction genres, embracing racial and sexual subtexts that couldn’t or wouldn’t have been imagined by its long-ago practitioners. Her evocations of early-19th-century London and antebellum Jamaica are vivid and, at times, sensuously graphic. Most of all, she has created in her title character a complex, melancholy, and trenchantly observant protagonist; too conflicted in motivation, perhaps, to be considered a heroine but as dynamic and compelling as any character conceived by a Brontë sister.
Collins invokes both Voltaire and Defoe here, and she forges an unlikely but sadly harmonic connection with both these enlightenment heroes in her gripping, groundbreaking debut.Pub Date: May 21, 2019
ISBN: 978-0-06-285189-5
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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