BROADWAY BUTTERFLY

Who slew the Jazz Age party girl? This novel, based on a true story, investigates the crime.

After poring over the New York Daily News of March 15, 1923, for the latest developments in the sensational Pettit-Wells murder trial, Ella Bradford catches a subway from her Harlem apartment to West 57th Street and her job as a maid to “Miss Dottie” King, whom she discovers dead in her luxurious bed. When ambitious News reporter Julia Harpman, who happens to be covering the Pettit-Wells trial on Long Island, learns of the murder of the flapper and sometime actress known as the Broadway Butterfly, she rushes to cover that as well. The official investigation falls to veteran Inspector John D. Coughlin, whose steel-trap mind recalls other brutal crimes on West 57th. Though it focuses on three protagonists who are all invested in solving the mystery, this tale is less a whodunit than a lurid crime story set in the Mad Decade and presented from multiple perspectives. DiVello shrewdly draws parallels between Julia’s hardscrabble struggles in a misogynistic era and Dot’s use of her sexuality to rise in society, and she crafts an intriguing relationship between Julia and Coughlin, prickly yet mutually respectful. Race and class factor into Ella’s anxiety over her proximity to the crime, since she’s Black and all the other characters are White. DiVello maintains a breakneck pace from one brief, datelined chapter to the next. Her pulpy, over-the-top prose credibly evokes the era’s crime magazines, while her fidelity to the characters and the well-documented facts surrounding the unsolved murder give the story extra interest. Her meticulous care extends to a lengthy postscript tracking the subsequent lives of all those involved.

A juicy Roaring ’20s crime yarn set in red-hot Manhattan.