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THE GILDED HOUR

Page-turning and atmospheric, Donati's novel leaves readers with plenty of questions, perhaps signaling a sequel to come.

Another meticulously researched period drama with dashes of mystery and romance from Donati, this time set in 1880s New York.

Donati (The Endless Forest, 2010, etc.) introduces two women doctors living near Washington Square during the Gilded Age: Dr. Liliane "Anna" Savard (granddaughter of Nathaniel Bonner of the Wilderness series) and Dr. Sophie Elodie Savard (Nathaniel’s great-granddaughter but about the same age as Anna). It’s 1883, and the doctors live with their Aunt Quinlan and her widowed stepdaughter, Margaret. Much of the story centers on the women’s work, and as the book opens, a young nun, Sister Mary Augustin, calls at their home for Sophie, who’s delivering a baby. Anna goes in her place to issue health certificates to a group of orphans. She meets DS Jack Mezzanotte and Rosa, an orphan trying to keep her sister and two brothers together. Donati spins the tales of Anna and Jack, Sophie and her maternity patient, the doctors’ childhood friend Cap Verhoeven, Rosa and her siblings, Sister Mary Augustin, and a plethora of friends and relatives into a story of more than 700 pages, all saturated with her signature historical detail. There’s good bit of social history, covering everything from “rational dress” and careers for women to contraception and the Comstock Act, advances in sanitation and public health. There are two mysteries as well, involving a serial killer preying on women seeking abortions and the whereabouts of Rosa’s brothers. Donati is skilled at giving depth to even the most minor characters, but she sometimes pursues tangents that are never fully explored. Despite the complexity, though, the novel never gets bogged down.

Page-turning and atmospheric, Donati's novel leaves readers with plenty of questions, perhaps signaling a sequel to come.

Pub Date: Sept. 1, 2015

ISBN: 978-0-425-27181-0

Page Count: 752

Publisher: Berkley

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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