A thriller that doesn’t elevate its fascinating core premise.
Across two timelines, a band of friends explores the secrets of an Arkansas hot springs town.
In a town in the Ozarks, there are eight magic houses, each with its own abilities. One house forces visitors to tell the truth, another can slow down time for those inside it, and a third grants powerful luck. The friends spend their senior year of high school hunting for the houses; the eighth and most mysterious they call the Portal House, and they believe it can transport them to the alternate dimension that gives the houses their powers. But their quest ends in tragedy, and most of the group leaves town, presumably for good. Fifteen years later, in 2015, they’re drawn back when one of them—Brandi—disappears. While the rest of the friends found success elsewhere, Brandi stayed in Arkansas, cleaning houses and struggling with an addiction to prescription pills. The book focuses on Jay, a painter constricted by guilt over leaving Brandi, her one-time best friend, behind. There’s also Iggy, a popular quarterback who was once Jay’s lover; Charlie, bookish and wistful; and Max and Hilma, wealthy twins who are outsiders to the town. Finding Brandi is mandatory: The group is bound by an oath they took, given power by one of the houses. The influences of Stephen King, Donna Tartt, and Buffy the Vampire Slayer are clear here. Aside from the fantastical houses, which are neither haunted nor quite benevolent, the world of the novel is conventional, and Jay is the only character with depth. At the end, the person who turns out to be the antagonist discusses their actions and motives and then asks: “Is this like at the end of some cheesy movie, where the villain just explains everything to you?” Jay isn’t sure if it’s just a joke, and neither is the reader.
A thriller that doesn’t elevate its fascinating core premise.Pub Date: July 18, 2023
ISBN: 9780374601775
Page Count: 384
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
BOOK REVIEW
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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