Measured, witty, captivating tales starring a series of resilient, likable female characters.
A short-story collection plumbs the depths of girlhood, life, and suburban survival.
Hosey channels the lives of young women across the expanse of 10 tales that are alternatingly titillating, shocking, harrowing, poignant, and compelling. In the opener, “Christine,” two suburban adolescent girls befriend and then start parenting a toddler they meet at a playground, which begins as a fun project but becomes too serious when they escalate their efforts to care for the child on their own. The title story is striking and clever as it depicts two girls, both in love with the same abusive, cheating video store clerk, who agree to participate in the man’s robbery scheme but wind up bonding in other ways instead. Elsewhere, a nun’s fall from grace in “Blessed Virgin” comes as a blessing when she realizes she can finally be the queer woman she feels she is inside without consequences or judgment. Plenty of phallic humor permeates the comical and family-centric “Not For Everyone,” one of the volume’s longest tales. Hosey has a firm grasp of the minor details that give readers a fully illuminated image of the characters she depicts and the nostalgic era, mostly the 1980s and ’90s, in which they live. Preteen girls, “both summer-brown overlaid with pink sunburn on their shoulders and cheeks,” chew grape gum and gossip about the TV series Dynasty; others use pay phones, star-69 one another, and obsess over the musician Dave Matthews. A calm, comforting man becomes the equivalent of “human Xanax” for a needy woman in one story. The author’s knack for characterization is keenly realized throughout these tales with remarkably descriptive flair. The Walden Pond tour guide in “Land Mammals,” about a downtrodden college teacher who is enlivened by a Thoreau impersonator, is described as a “sickly-looking older woman who probably believes that old lie about how it is impossible to be too thin.” There’s also a refreshing range of locales, from the wintry setting of suburban Wisconsin to the leafy, wooded historical community of Concord, Massachusetts. Every story in Hosey’s distinguished, engrossing collection is memorable, suffused with meaning and emotion, with characters exhibiting the grace and wisdom of age or the testiness of youth. This is splendidly entertaining reading, particularly for fans of women’s fiction.
Measured, witty, captivating tales starring a series of resilient, likable female characters.Pub Date: Jan. 16, 2024
ISBN: 9783988320407
Page Count: 290
Publisher: Vine Leaves Press
Review Posted Online: Dec. 12, 2023
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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