Measured, witty, captivating tales starring a series of resilient, likable female characters.
A short-story collection plumbs the depths of girlhood, life, and suburban survival.
Hosey channels the lives of young women across the expanse of 10 tales that are alternatingly titillating, shocking, harrowing, poignant, and compelling. In the opener, “Christine,” two suburban adolescent girls befriend and then start parenting a toddler they meet at a playground, which begins as a fun project but becomes too serious when they escalate their efforts to care for the child on their own. The title story is striking and clever as it depicts two girls, both in love with the same abusive, cheating video store clerk, who agree to participate in the man’s robbery scheme but wind up bonding in other ways instead. Elsewhere, a nun’s fall from grace in “Blessed Virgin” comes as a blessing when she realizes she can finally be the queer woman she feels she is inside without consequences or judgment. Plenty of phallic humor permeates the comical and family-centric “Not For Everyone,” one of the volume’s longest tales. Hosey has a firm grasp of the minor details that give readers a fully illuminated image of the characters she depicts and the nostalgic era, mostly the 1980s and ’90s, in which they live. Preteen girls, “both summer-brown overlaid with pink sunburn on their shoulders and cheeks,” chew grape gum and gossip about the TV series Dynasty; others use pay phones, star-69 one another, and obsess over the musician Dave Matthews. A calm, comforting man becomes the equivalent of “human Xanax” for a needy woman in one story. The author’s knack for characterization is keenly realized throughout these tales with remarkably descriptive flair. The Walden Pond tour guide in “Land Mammals,” about a downtrodden college teacher who is enlivened by a Thoreau impersonator, is described as a “sickly-looking older woman who probably believes that old lie about how it is impossible to be too thin.” There’s also a refreshing range of locales, from the wintry setting of suburban Wisconsin to the leafy, wooded historical community of Concord, Massachusetts. Every story in Hosey’s distinguished, engrossing collection is memorable, suffused with meaning and emotion, with characters exhibiting the grace and wisdom of age or the testiness of youth. This is splendidly entertaining reading, particularly for fans of women’s fiction.
Measured, witty, captivating tales starring a series of resilient, likable female characters.Pub Date: Jan. 16, 2024
ISBN: 9783988320407
Page Count: 290
Publisher: Vine Leaves Press
Review Posted Online: Dec. 12, 2023
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
