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THE CAT WAY

Name: THE CAT WAY
Author: Sara Lundberg
ISBN: 9780802856333

by Sara Lundberg ; illustrated by Sara Lundberg ; translated by B.J. Woodstein ‧ RELEASE DATE: Oct. 8, 2024

A lovingly told exploration of compromise that leads to a new outlook on life.

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Stepping outside of one’s routine brings new experiences.

An unnamed, pink-skinned human, clad in a plaid shirt and green trucker hat, and a black-and-white cat go for their usual walk. When the cat begins romping with another feline, the human decides it’s time to go. “Why are you always in charge?” asks the chagrined cat, and the human devolves into an existential crisis before coming to a decision: The next walk will be led by the cat. The following day, the human experiences life through the cat’s eyes as she chases butterflies and squirrels into a densely wooded area. The human, finding it difficult to see amid the brambles, falls off a small cliff: “I don’t want to be here anymore.” As the cat comforts her owner, the human marvels at the night sky, filled with luminous yellow stars, shown in a gatefold spread, and realizes that it’s OK to take the “usual route” but also necessary to “get lost” sometimes. Lundberg sets her story in a surreal setting that’s grounded in reality (the apartment complex echoes an M.C. Escher painting in one particularly mournful spread), and many human characters have elongated limbs. The stunning, saturated watercolor and gouache illustrations, in tandem with the thought-provoking text, translated from Swedish, chart the emotional journey of both human and cat as they discover that changing things up can result in fresh perspectives.

A lovingly told exploration of compromise that leads to a new outlook on life. (Picture book. 4-7)

Pub Date: Oct. 8, 2024

ISBN: 9780802856333

Page Count: 66

Publisher: Eerdmans

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
THE BIRD IN ME FLIES
by Sara Lundberg ; illustrated by Sara Lundberg ; translated by B.J. Epstein

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

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With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)