Next book

TRUE BIZ

A coming-of-age story that explores the complexities of community and the ways in which language defines us.

The author of America Is Immigrants (2019) and Girl at War (2015) goes deep into Deaf culture.

True biz is an expression in American Sign Language that has a variety of English translations—“for sure,” “seriously,” “no joke,” and “totally” among them. By using this phrase as her title, the author is underscoring the point that ASL is not just English rendered in hand gestures. It is, instead, a language with its own grammar, its own idioms, and its own stylistic flourishes. This presents Charlie Serrano with a challenge. The child of hearing parents, Charlie has a cochlear implant and has barely mastered the ASL alphabet when she transfers from her public high school to River Valley School for the Deaf. Headmistress February Waters—the hearing child of deaf parents—asks Austin Workman to help Charlie acclimate to her new environment. The fifth generation of his family to be deaf, Austin is something like aristocracy within his community. All of these characters are about to have a very tumultuous year. Nović is deaf, and her second novel might be regarded as part of the movement for stories about marginalized groups to be written by people who are themselves part of that group. Nović addresses a lot of topics here, from eugenics and racism to teen romance and middle-aged marital strife. The resulting narrative has an odd shape. The first half progresses at a very slow pace, and it’s heavy on exposition. Things start moving in the second half, and there’s a lot of action toward the end. The lessons in ASL and Deaf history interspersed throughout the text may keep the reader’s interest more than the story alone would.

A coming-of-age story that explores the complexities of community and the ways in which language defines us.

Pub Date: April 5, 2022

ISBN: 978-0-593-24150-9

Page Count: 400

Publisher: Random House

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 258


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 258


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Close Quickview