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MOMFLUENCED

INSIDE THE MADDENING, PICTURE-PERFECT WORLD OF MOMMY INFLUENCER CULTURE

With an investigative eye and a sense of humor, Petersen sheds needed light on a key part of the social media landscape.

A deep dive into the ever growing “momfluencer” culture.

Being a mother has always been an extremely difficult job, but it has become even more so in the age of social media. Petersen, a journalist who has been studying and writing about mommy blogging since the early days, introduces us to the more recent phenomenon of momfluencers, who present their role as mothers on various sites—mainly Instagram—to sell sponsored products or sometimes their own product lines. Their mothering lives look perfect: clean and stylish houses, cute and well-behaved children, handsome and affluent husbands. The images and the accompanying stories set standards that few women can achieve, though many women want to. Petersen admits to being of two minds about momfluencers. As a mother of three, she finds it hard to resist the allure of domestic perfection, but she readily acknowledges that the picture has more to do with marketing than reality. Within the burgeoning industry, there are numerous types of momfluencers, such as the “trad mom,” the “cool mom,” and the “minimalist mom.” As the author notes, “the single feature that unites most of them is a celebration of the nuclear family and traditional gender roles.” The industry is also predominantly White, which has led to a backlash. Petersen looks at several sites developed by women of color aimed at presenting a more realistic picture as well as sites for women to share snarky comments about momfluencers. In the final pages of the book, Petersen stumbles upon the best way to escape from the momfluencers and their envy-generating performances. On a holiday with her happily imperfect family, she deleted the Instagram app. She did not want to know, “and the not knowing was bliss.”

With an investigative eye and a sense of humor, Petersen sheds needed light on a key part of the social media landscape.

Pub Date: April 25, 2023

ISBN: 9780807006634

Page Count: 328

Publisher: Beacon Press

Review Posted Online: Dec. 22, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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FOOTBALL

A smart, rewarding consideration of football’s popularity—and eventual downfall.

A wide-ranging writer on his football fixation.

Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.

A smart, rewarding consideration of football’s popularity—and eventual downfall.

Pub Date: Jan. 20, 2026

ISBN: 9780593490648

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Oct. 24, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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