SNOW LIKE ASHES

A carefully crafted fantasy grapples with intense issues.

In Primoria, the world protagonist Meira inhabits, there are eight kingdoms: four Seasons, in a perpetual state of the season they’re named for, and four Rhythms that cycle through all four. Meira is one of the remaining eight free Winterians: Sixteen years prior to the opening of the book, King Angra of Spring attacked Winter, slaying its queen, destroying its Royal Conduit (a locket used by a female ruler to magically aid her country) and enslaving the surviving Winterians. Attempting to reclaim half the locket, Meira is captured but almost instantly escapes due to quick thinking and her military training—a feat that Raasch makes surprisingly believable. Her complicated relationship with Mather, heir to the Winterian throne, is put on hold when Spring scouts follow her to camp and the refugees must flee to the Rhythm of Cordell—where Meira meets the instantly likable Prince Theron and discovers she’s very much a pawn in a bigger game. The dramatic twist toward the end is impressive both in its believability and its unpredictability. Unfortunately, Raasch’s world is racialized, and the heroic Winterians are pale and beautiful. While the villain is also fair-skinned, the choice to valorize whiteness is perhaps ill-considered given the fraught history of racial stereotyping in high fantasy.

This heavy high fantasy manages moments of humor and beauty for a satisfying read.