Though the plot sometimes wanders and the “scandal” never seems urgent, Shepard has crafted a fine character study on the...
A contemporary portrait of the stultified life of Philadelphia’s Main Line elite.
The plot revolves around a possible school hazing scandal, but really Shepard’s subject is the smashing silence and conformity required of the well-mannered life. Sylvie Bates-McAllister lives in Roderick, the Main Line mansion she inherited from her beloved grandfather. Despite raising her two boys in the house, it remains largely unchanged since her grandfather lived in it—along with the prep school he founded, Swithin, a testament to his greatness. Sylvie serves on the board of Swithin and is called one night when a student is found dead, the apparent victim of suicide. The boy was on the wrestling team her 30-year-old son Scott coaches; there are rumors of student hazing and the complicity of the coach. Sylvie believes the worst. Scott, adopted as a toddler, is of mixed race and has a strained relationship with Sylvie and her older, biological son Charles. Charles, a prim and quiet aspiring journalist, is Sylvie’s favorite, but her late husband James doted on Scott, found in him an outsider he could identify with. Now that James is dead, Scott is more of a mystery than ever—he has a defiant swagger and tattoos and low-slung jeans—and Sylvie is simply embarrassed by him. Swirling around the breaking scandal are a variety of subplots—Charles’ new wife Joanna (who as a girl kept a society page scrapbook featuring the public appearances of the Bates-McAllister family) is beginning to think her marriage is a misplaced fantasy. Charles is set to interview his high-school sweetheart Bronwyn, who has become a sort of back-to-the-land hippie in rural Pennsylvania. Sylvie becomes increasingly obsessed with the affair she believes her husband had. The strings are so tightly laced around this family that they are bound to break—when they do, old secrets reap surprising results.
Though the plot sometimes wanders and the “scandal” never seems urgent, Shepard has crafted a fine character study on the repressed lives of the American elite.Pub Date: Oct. 11, 2011
ISBN: 978-0-06-208006-6
Page Count: 352
Publisher: HarperCollins
Review Posted Online: Aug. 20, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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