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WE GO TO THE PARK

Wondrously strange and wonderfully evocative.

Two globally acclaimed creators—author Stridsberg and illustrator Alemagna—join forces in this boundary-pushing picture book for older readers translated from Swedish.

Positioning the park as a liminal space, the spare, poetic text and beautifully unsettling art explore its endless possibilities as children play and wander: “It is the land beyond. / In the park, anything can happen.” The paintings, many of them two-page spreads showing trees, fields, and playgrounds, are arresting and reminiscent of Fauvism. Many evoke a raked theater stage, with the background appearing to rise in elevation. The flatness of the human figures and the absence of detailed facial features are characteristics that feel intentionally childlike, standing in juxtaposition with the sophisticated color palette and unusual perspectives: Readers often view scenes from some height and distance or, at times, very close up, with headless torsos dominating the foreground. The art is free-flowing, with many of the images lacking black outlines. As readers explore these surreal, dreamlike landscapes that contain both rich dark colors and bright, intense ones, they become immersed in text that can be interpreted as a meditation on childhood’s fleeting and changeable nature: “The trees have stood here for a thousand years / and they plan to stand here longer still. // We are like the trees: we don’t want to leave either.” Contemplative teens on the cusp of independence and adult readers nostalgic for the mysteries and wonders of their early years will linger and ponder.

Wondrously strange and wonderfully evocative. (Picture book. 14-adult)

Pub Date: June 25, 2024

ISBN: 9781592704071

Page Count: 68

Publisher: Unruly

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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  • Kirkus Reviews'
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SOLO

A contemporary hero’s journey, brilliantly told.

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  • Kirkus Reviews'
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  • New York Times Bestseller

The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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THESE ARE THE WORDS

FEARLESS VERSE TO FIND YOUR VOICE

A gentle emphasis on hope and healing makes this a compassionate, restorative collection.

British Indian poet and playwright Gill’s first work for young adults is a tender, feminist examination of hard topics that honors quiet moments of healing and connection.

This poetry collection, organized around the four seasons, has sections that begin with a line of advice for each sign in the zodiac. Many of the poems focus on women’s bonds and identity: There are meditations on the women who have come before and those who will come after, emphasizing enduring mutual support. Romantic love, with partners of different genders, and self-love are explored next. The family section delves into toxic family ties and different parental reactions to coming out. There’s also a powerful meditation on colorism: “As a child, the aunties called my sister Coal. / Coal because of the colour of her skin, / not because of her ability to become fuel, / to glow so brightly despite them.” The next few sections—on hurting, protest, and body image—are empowering, inclusive reminders of one’s value. Topics like microaggressions, climate change, and the importance of voting are addressed: “You deserve a future filled with hope.” The concluding pieces about healing, friendship, and found family are soothing and beautiful. The concise poems, many of which contain abstract ruminations that feel relevant to many moments of joy and pain, combined with Gill’s black-and-white sketches, are accessible and welcoming.

A gentle emphasis on hope and healing makes this a compassionate, restorative collection. (author’s note) (Poetry. 14-18)

Pub Date: Oct. 10, 2023

ISBN: 9781529083606

Page Count: 192

Publisher: Macmillan Children's Books

Review Posted Online: Aug. 11, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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