GREETINGS FROM ANTARCTICA

Name: GREETINGS FROM ANTARCTICA
Author: Sara Wheeler
ISBN: 0-87226-295-2

by Sara Wheeler ‧ RELEASE DATE: July 1, 1999

Wheeler offers a scrapbook-style travelogue of her seven-month stint on the world’s coldest continent. Letters to her...

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In an eye-opening companion to such works as Jennifer Armstrong’s Shipwreck at the Bottom of the World (1999) and Elizabeth Cody Kimmel’s Ice Story (p. 66) on Shackleton, readers get a contemporary look at Antarctica.

Wheeler offers a scrapbook-style travelogue of her seven-month stint on the world’s coldest continent. Letters to her godson, Daniel, describe a harsh environment so cold that dental fillings fall out. Double-page spreads dotted with full-color snapshots form short chapters on the icy region, suiting up, the difficulties of everyday existence, food and drink, shelter, transportation, entertainment, and wildlife. The last third of the volume is devoted to current scientific pursuits as well as an overview of famous expeditions to the nearly uninhabitable “bottom of the planet.” The cheery photographs – most by the author – show her dwarfed by the Barne glacier, posing with Emperor penguins, even building an igloo. While the chatty letters highlight personal details of the trip, boxed inserts provide background information. Key dates in Antarctic history complete this accessible profile, ideal as entry into units on the region. (maps, charts, diagrams, further reading, index) (Nonfiction. 8-12)

Pub Date: July 1, 1999

ISBN: 0-87226-295-2

Page Count: 44

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1999

Categories:

CHILDREN'S BIOGRAPHY & MEMOIR

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ALL BY HERSELF

POEMS

by Ann Whitford Paul ‧ RELEASE DATE: Nov. 1, 1999

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Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)

Pub Date: Nov. 1, 1999

ISBN: 0-15-201477-2

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:

CHILDREN'S POETRY | CHILDREN'S BIOGRAPHY & MEMOIR

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IF ANIMALS CELEBRATED EASTER
by Ann Whitford Paul ; illustrated by David Walker

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IF ANIMALS TRICK-OR-TREATED
by Ann Whitford Paul ; illustrated by David Walker

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WHO LOVES LITTLE LEMUR?
by Ann Whitford Paul ; illustrated by Jay Fleck

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IF A BUS COULD TALK

THE STORY OF ROSA PARKS

by Faith Ringgold ‧ RELEASE DATE: Nov. 1, 1999

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Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)