An engaging mixture of history and science.
Usually, Albee says, archaeology—the study of human history through artifacts—involves slow, methodical, exacting research. Here she recounts 17 instances of major, history-changing discoveries that happened entirely by accident, from the 1709 discovery of Italy’s Herculaneum by workers digging a well to Johannesburg cavers coming across a trove of early hominoid remains in 2013. Many of them—the Lascaux cave paintings, the Dead Sea Scrolls, China’s terra-cotta warriors—will be familiar to adult readers. Others—a first-century B.C.E. mechanical model of the Greek universe, considered the world’s first computer, found in 1900 by Aegean sponge fishermen—are less well known. Albee describes each discovery, backs up to place it into historical context, and then moves forward to explain why each matters, writing throughout in clear, engaging, present-tense language. She points out the social inequities and ethical considerations that are part of the broader context of many discoveries: for example, how Black cowboy George McJunkin’s 1908 discovery of extinct giant bison fossils, something that upended our understanding of human history in North America, was ignored for years because of his race and class; and why plundered and formerly colonized Egypt wants the Rosetta Stone back. She closes with speculation regarding the burial place of Genghis Khan, a fine reminder that more hidden discoveries await.
An engaging mixture of history and science. (glossary, author’s note, selected bibliography, source notes, further reading, photo credits) (Nonfiction. 8-14)Pub Date: Nov. 10, 2020
ISBN: 978-1-338-57578-1
Page Count: 224
Publisher: Scholastic Nonfiction
Review Posted Online: Aug. 24, 2020
Kirkus Reviews Issue: Sept. 15, 2020
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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