Colorful, fun, relatable tastes of history that may tempt readers into further research.
Twenty capsule biographies of historical women who wore trousers or men’s clothing.
The women portrayed in these short, illustrated narratives wore traditionally male clothing for different reasons. Harriet Tubman found skirts to be a hinderance when helping enslaved people escape; Vesta Tilley was an English-born drag performer during the late 19th and early 20th centuries. Many of the women disguised themselves as men so they could work in professions forbidden to women, while Ellen Craft disguised herself to escape slavery. The pharaoh Hatshepsut portrayed herself as male because that’s what pharaohs were, and if Frida Kahlo were alive today, “we might describe her as gender fluid.” Historical photographs and paintings add interest, although with descriptions pushed to endnotes, their often intriguing context is hard to find. A contemporary, slangy voice wavers between forced and quite funny, and the sidebars that pepper the collection (on everything from smallpox to the gender spectrum to “How To Start Up a Model T”) are informative and mostly rather interesting. About half of the subjects are White, though Black, Native American, Mongolian, and Indian women are covered as well. Almost all are from the 18th and 19th centuries in the United States or Western Europe. The final biography (of Marguerite Johnson, streetcar conductor) has such a satisfying reveal that it brings thematic closure to the whole collection.
Colorful, fun, relatable tastes of history that may tempt readers into further research. (author’s note, notes, bibliography, image credits, index) (Nonfiction. 9-11)Pub Date: Oct. 25, 2022
ISBN: 978-1-62354-095-1
Page Count: 176
Publisher: Charlesbridge
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
The author of the justly renowned What the Neighbors Thought series digs a little deeper with these equally engaging single...
This brisk and pithy series kickoff highlights Sacagawea’s unique contributions to the Lewis and Clark expedition.
Joining her “clueless” French-Canadian husband and so becoming “part of one of the smartest hiring decisions in history,” 16-year-old Sacagawea not only served as translator and diplomat along the way, but proved an expert forager, cool-headed when disaster threatened, and a dedicated morale booster during four gloomy months in winter quarters. She also cast a vote for the location of those quarters, which the author points to as a significant precedent in the history of women’s suffrage. Krull closes with a look at her subject’s less-well-documented later life and the cogent observation that not all Native Americans regard her in a positive light. In Collins’ color paintings, she poses gracefully in fringed buckskins, and her calm, intelligent features shine on nearly every page. The subjects of the three co-published profiles, though depicted by different illustrators, look similarly smart and animated—and behave that way too. Having met her future husband on a “date,” Dolley Madison (illustrated by Steve Johnson and Lou Fancher) goes on to be a “rock star,” for instance. Long before she becomes a Supreme Court justice with a “ginormous” work load, Sonia Sotomayor (illustrated by Angela Dominguez) is first met giving her little brother a noogie. Though Krull’s gift for artfully compressed narrative results in a misleading implication that the battle of New Orleans won the War of 1812 for the United States, and there is no mention of Forever… in her portrait of “the most banned author in America,” Judy Blume (illustrated by David Leonard), young readers will come away properly inspired by the examples of these admirable rule-breakers.
The author of the justly renowned What the Neighbors Thought series digs a little deeper with these equally engaging single volumes. (source and reading lists, indexes) (Biography. 9-11)Pub Date: June 9, 2015
ISBN: 978-0-8027-3799-1
Page Count: 48
Publisher: Bloomsbury
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
Engaging episodes, not beyond the ken of the current generation and lit with just enough sentiment to give them a warm glow.
A second set of childhood memories from the author of Marshfield Dreams (2005)—these spun around the feeling of being an “in-betweener” in his family as eldest of eight (later nine) siblings.
Fletcher opens with an elaborate neighborhood map (“Marshfield was my Middle-earth,” he writes) and goes on in short chapters to recall the pleasures—and sometimes tribulations—of being a Boy Scout, playing marbles, joining a muddy scramble to gather a bucket full of frogs, having the house to himself for a day, getting a pocket transistor radio, and like treasured moments around age 10. Other memories, such as learning that a Sunday school acquaintance who shared his love for chocolate Necco Wafers had died and seeing his school bus driver Ruben Gonsalves silently watch his son get slapped (wondering since if the 1964 incident would have even happened in his “white town…but for the color of their skin”), spark more complex responses. In an epilogue he tallies other less halcyon memories, capped by the later death of a brother covered in greater detail in the previous volume. Still, like the mock funeral his friends gave him when he and his family moved away from Marshfield, readers will find these reminiscences “sad, funny, a little weird, and very sweet.”
Engaging episodes, not beyond the ken of the current generation and lit with just enough sentiment to give them a warm glow. (Memoir. 9-11)Pub Date: Nov. 13, 2018
ISBN: 978-1-62779-524-1
Page Count: 208
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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